Most of my artwork is created on a unique clay panel known as Aquabord, which is produced by Ampersand Art. This acid-free, textured clay surface has the remarkable ability to absorb watercolors in much the same way that fine paper does, allowing me to explore the medium in new and exciting ways. The surface is smooth yet textured, offering a subtle, almost velvety finish that enhances the depth and richness of the watercolor pigments.

I prefer working with a limited color palette, typically no more than five hues. This approach allows me to focus on the interplay of light and shadow, emphasizing the beauty of simplicity. My process is methodical and patient—applying multiple layers of translucent watercolor pigment onto the clay surface and lifting them out as needed. This technique helps create a luminous, almost glowing effect, as the pigments meld and blend in subtle, organic ways. In the majority of the cases, the whites in my paintings are not added as paint; rather, they are the absence of pigment, where the clay itself shines through, creating contrast and highlighting areas of light.

Once the painting is complete, I take great care to protect it. I apply one or two coats of Archival Aerosol Varnish MSA with UVLS which is formulated with 100% solvent-based, reversible acrylic co-polymer resin. This finishing process not only preserves the integrity of the piece but also eliminates the need for glass when framing, giving the artwork a more direct, tactile presence in any space.